![]() ![]() In the example below, it cuts from a gun deal planning meeting to the group driving in a car on the beat of the music. Throughout Baby Driver Wright and Machliss delight in cutting from one scene to the next on the beat of the music. It may happen to be on the beat, but we don’t want you to think we are waiting for that moment.” (MAHER, 2017). ![]() We didn’t want you to notice that someone puts a bottle down on a chair. Machliss is quoted saying “…not make it feel like a musical where everything is heavily choreographed. Furthermore, Edgar Wright had the vision to make Baby Driver seem like a music video, yet not feel like one. The editor Paul Machliss edited the movie whilst on set which is different from the common practice of editing a movie in a studio with a full editing deck. The editing in Edgar Wright’s Baby Driver (2017) is closer to the editing made in modern music videos than a film, the movie is heavily influenced by the soundtrack, every piece of action is built around the chosen song. ![]()
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